In Spain, the last ten years have seen the profession become a desolate ecosystem which architects have been forced to adapt to in order to stay afloat, turning small commissions into near-manifestos, working in universities, publishing, or curatorial activities, or looking for greener pastures in other countries. Eduardo Prieto presents this panorama in all its rawness, but points out the capacity for ‘creative destruction’ that the crisis has had in certain aspects. For his part, Richard Ingersoll takes stock of the different work methods of the generation of the crisis, exemplifying them with six works then featured in detail.